NFT Technology versus Subscriptions – The Battle for Ownership of Digital Content
NFTs are the next phase in the ongoing tension between forces supporting subscriptions and those supporting ownership of content
NFTs are the next phase in the ongoing tension between forces supporting subscriptions and those supporting ownership of content
Robert Harington talks to a range of expert stakeholders with differing views about the Plan S Rights Retention Strategy and Creative Commons Licensing. Part 2. of 2 interview posts.
Robert Harington talks to a range of expert stakeholders with differing views about the Plan S Rights Retention Strategy and Creative Commons Licensing. Part 1 of 2 interview posts.
Unpacking each word — rights, retention, and strategy — enables understanding what this policy is and how it functions within the Plan S compliance framework.
Do Sci-Hub downloads cause more citations, or are high impact papers simply downloaded more often?
What a strange year 2020 was, in so many ways. Here, a look at the numbers for The Scholarly Kitchen for the past 365 days.
Are US federal courts enforcing Creative Commons licenses? Yes, but not as copyright holders may hope.
We stand by our data. We just won’t share it or believe that you replicated our study.
By calling its new policy a “Rights Retention Strategy,” cOAlition S is engaging in doublespeak. This strategy actually does exactly the opposite of what it claims.
In lieu of the SSP Annual Meeeting this month, a mid-year readership report for a very strange year.
In this article, Robert Harington revisits the history of copyright, steering into Creative Commons Licensing, and weighs the value of protection and reuse in light of an inexorable push towards global openness.
How will we meet this moment of global crisis? The Internet Archive breaks glass.
As the success of Subscribe to Open grows, what are the benefits and limitations of the model?
What if you used a computer to generate every possible song and then put it in the public domain? Damien Riehl and Noah Rubin did just that.
Todd Carpenter reports on a forum hosted by WIPO and the Copyright Office that focused on whether copyright can apply to the works created by artificial intelligence systems.