Restoring a Masterwork
How do you restore a damaged painting? The Metropolitan Museum of Art shows the way.
How do you restore a damaged painting? The Metropolitan Museum of Art shows the way.
Combining most if not all of a publisher’s scholarly content on a single publisher platform has not always been the norm. Oxford University Press’s transition to a new platform represents not just a one-to-one platform shift but in fact a consolidation from more to fewer platforms. This is a trend worth understanding and watching.
We spend much time these days wondering when the academic journal as we know it will cease to exist. Robert Harington discusses the role of the journal in light of a fascinating new venture in the field of mathematics – the overlay journal Discrete Analysis.
HighWire’s John Sack looks at the changes that search engine indexing has driven for discovery of research publications. Part 1 of a two part series covering Anurag Acharya’s recent ALPSP keynote address.
New scholarly-communication initiatives have to do more than just demonstrate proof of concept: they have to demonstrate ongoing sustainability (what we might call “proof of program”) and the ability to create desirable products in the amounts needed (what we might call “proof of scale”). What do these look like when they’re achieved, and how are some recent initiatives doing?
Inspired by this year’s VIVO conference, this post looks at why we need a better understanding of how the scholarly research infrastructure works today in order to keep improving it for the future.
Revisiting Kent Anderson’s 2014 post on the importance of editors–how much of what we see as a failure of “peer review” is really a failure of editorial oversight?
A collaborative venture between Oxford University Press and the University of Utah’s J. Willard Marriott Library exemplifies a new approach to library publishing, one that could be replicated elsewhere with relative ease and that offers potentially huge benefits to scholarship.
The novelist Iain Pears has produce a book on an interactive app, noting that his work had come up against the limitations of the printed page. What are the implications of experiments in narrative form for other kinds of publishing?
Charlie Rapple reports back from ISMTE, which does not stand for the International Society of Making Toys Educational
SHARE’s recent summer meeting provided some interesting insights into the organization’s priorities and its ambition to provide a strong, open, and collaborative infrastructure that will maximize the impact of scholarly research. Reasons to be cheerful indeed!
A new survey highlights the lack of awareness among researchers for funding agency public access policies.
Interstitial publishing, when paired with interstitial reading, is a new form of publishing that aims to take advantage of what previously was viewed as lost time in between primary events during the day. Interstitial publishing seeks ways to create new users by creating content expressly for those brief moments, which heretofore went unexploited for productive aims.
Predatory publishing is a big and complex problem; so is calling out and shaming deceptive publishers by means of blacklisting. Is that something we should even do, and can it be done fairly, constructively, and helpfully? Yes, and here are some suggestions how.
In this episode, Retraction Watch co-founder Ivan Oransky talks with podcast host Michael Clarke about the causes, trends, and problems with retractions of scientific research papers.