Oof. How’s your year been? Yeah, I know.
No one in our scholarly communications community has been untouched by the ongoing devastating attacks on libraries, the research enterprise, on academic freedom, and even on the most basic of scientific concepts. Add on top the cultural and environmental damage being done by AI, and this year’s US Thanksgiving holiday doesn’t feel quite right.
But sometimes it’s the little things that get us through the day, and we need to hang onto those basic pleasures as we do the long term work of fixing the damage being wrought. For me lately, I’ve found joy in the 50th anniversary re-release of one of the great artistic achievements of my lifetime, Patti Smith’s Horses. Pre-dating The Ramones eponymous debut album by a year, Horses shows something entirely new being invented, a blend of the high and the low, Rimbaud and Keith Richards, a genderless exploration of art and sound. The new re-release is expansive, including unreleased tracks and demos and is well worth your time. Below find Patti’s appearance on Saturday Night Live, at the height of her early powers, melding her 1970 poem “Oath” with Van Morrison and Them’s garage rock anthem “Gloria” into an irresistible entry into a new world of possibility.
We’re off for the holiday and will return on Monday with new posts, but in the meantime, I hope you too can find solace in something that moves you — feel free to share below in the comments.
Discussion
5 Thoughts on "Reasons To Be Thankful: 50 Years of Patti Smith’s Horses"
After a challenging day last week, I got in the car and drove to the coast while belting out “Gloria” at top volume. Massively improved my mood. I didn’t clock that it was the 50th anniversary! Thanks for sharing.
I was lucky enough to get to interview her in 2003 as a graduate student. I was in awe of her ability to throw herself so fully into every moment. She uses so many forms of media to excite people and to get them thinking. At the time, it seemed radical that she was challenging some of George W. Bush’s acts as tyrannical. It gives me déjà vu.
I am going to the show in Philly this weekend! Didn’t expect to see it pop up here. Happy Thanksgiving!
I saw Patti & her band play the Horses album in Sydney, Australia some years back. The E chord that was struck as the band came in on, “…my sins, my own, they belong to me!” was the finest and most powerful E chord I’ve ever heard in my life. Thanks for posting!
Thank you for this! I went to the Philly show this past Saturday, the last stop of Patti’s 50th Anniversary of the Horses Album Tour, this past weekend, and it was an inspiration in so many ways! The Arts feed us in these trying times.