Dismayed by the loss of trust in facts, and seeming preference for half-truths that appears to be driving our political present, Robert Harington decided to catch up on his reading over the weekend, and stumbled across a stimulating article in Publishers Weekly, entitled How to Sell Nearly a Half-Million Copies of a Poetry Book, by Anisse Gross.
Robert Harington references our current altered state in politics as a tool to reflect on the need to invoke balance in publishing innovation, and growth.
It’s that time of year again. Every year Harvard University’s glorious Sanders Theatre plays host to the Ig Nobel Prize ceremony. I was there, along with my 13-year old son, armed with dozens of pieces of paper, for ready assembly into paper airplanes and ready to revel in a couple of hours of sublime silliness. Here is my report.
Is there a role for a curated, remixing approach to developing next generation textbooks. Robert Harington investigates the role of curated open textbooks in teaching today’s students, looking at some of the available tools, the way in which instructors utilize such tools, and issues around fair use of content.
Amidst the politics of open access, the financial pressure on research libraries, and the sense that ubiquity trumps quality, it is worth remembering that nothing can squash the fervor of academic endeavor. Video is increasingly deployed in the publishing of academic research. Robert Harington explores the importance of using different types of media to provide insight into cultural and historical aspects of a field through a review of a new movie by Ekaterina Eremenko – The Discrete Charm of Geometry.
Robert Harington grapples with the lack of understanding by the publishing elites on all sides of shifting ideologies of an individual’s relationship to information on the web.
Robert Harington interviews Andrea Powell, Chief Information Officer at CABI, revealing an inspiring advocate and leader across publishing and technology sectors.
Robert Harington comments on a New York Times article by Kate Murphy , published on Sunday 13th March, 2016, suggesting that when journalists write such an article they, do not fan the flames of fundamentalism, recognize the complexity at hand, and understand that there is a constructive debate to be had.
Robert Harington asks Tim Collins for his views on publishing industry trends seen through the prism of his leadership role at EBSCO, exploring Tim’s sense of a connected world of stakeholders in today’s publishing industry.
Robert Harington discusses Joe Esposito’s Scholarly Kitchen article from June 2015, entitled “The Mixed Marriage of For-profit and Not-for-Profit Publishing”, in context of his own experiences in the world of society publishing.