Openness and The Two Cultures
Robert Harington addresses openness, and the widening divisions in the “Two Cultures” — which C. P. Snow would likely be appalled to find are as apparent as they ever were.
Robert Harington addresses openness, and the widening divisions in the “Two Cultures” — which C. P. Snow would likely be appalled to find are as apparent as they ever were.
Robert Harington talks to Ed Pentz, Executive Director of Crossref, exploring the past, present and future of Crossref, a fabulous example of how for-profit and non-profit organizations alike may collaborate when needs must.
Robert Harington interviews James Milne, Chair of the newly formed Coalition for Responsible Sharing, on action being taken against ResearchGate.
Scholarly publishers are already doing much to make government funded research as free as possible as soon as it is published. Why do we need a law to enact what is already taking shape? Robert Harington suggests it comes down to politics.
Robert Harington reviews a delightful new book that reminds you of how delightful our publishing world can be. Printer’s Error: Irreverent Stories From Publishing History by Rebecca Romney and J. P. Romney.
In this article Robert Harington suggests that some society journal publishers may wish to consider moving their journal program to a Diamond open access (OA) model. Nice idea right, but easier said than done.
Robert Harington attempts to help you think through how to develop a strategy for succession planning, recognizing that in today’s world, people just don’t stay at their jobs as long as they used to.
In every publishing organization you need a rebel. Robert Harington talks with Peter Krautzberger, project lead for MathJax and rebel, about his views on Web publishing, ebooks and mathematics.
Robert Harington takes the reader on a tour of copyright law, suggesting that its value is in supporting our ability to teach and do research, and publish high quality works.
Dismayed by the loss of trust in facts, and seeming preference for half-truths that appears to be driving our political present, Robert Harington decided to catch up on his reading over the weekend, and stumbled across a stimulating article in Publishers Weekly, entitled How to Sell Nearly a Half-Million Copies of a Poetry Book, by Anisse Gross.
Robert Harington references our current altered state in politics as a tool to reflect on the need to invoke balance in publishing innovation, and growth.
It’s that time of year again. Every year Harvard University’s glorious Sanders Theatre plays host to the Ig Nobel Prize ceremony. I was there, along with my 13-year old son, armed with dozens of pieces of paper, for ready assembly into paper airplanes and ready to revel in a couple of hours of sublime silliness. Here is my report.
Is there a role for a curated, remixing approach to developing next generation textbooks. Robert Harington investigates the role of curated open textbooks in teaching today’s students, looking at some of the available tools, the way in which instructors utilize such tools, and issues around fair use of content.
Amidst the politics of open access, the financial pressure on research libraries, and the sense that ubiquity trumps quality, it is worth remembering that nothing can squash the fervor of academic endeavor. Video is increasingly deployed in the publishing of academic research. Robert Harington explores the importance of using different types of media to provide insight into cultural and historical aspects of a field through a review of a new movie by Ekaterina Eremenko – The Discrete Charm of Geometry.
Robert Harington grapples with the lack of understanding by the publishing elites on all sides of shifting ideologies of an individual’s relationship to information on the web.