How Ink is Made: A Beautiful Reflection of the Analog World we still inhabit
A YouTube Video, How Ink is Made, reminds us of the art and craft that goes into creating the physical products that remain a significant fixture of the publishing world.
A YouTube Video, How Ink is Made, reminds us of the art and craft that goes into creating the physical products that remain a significant fixture of the publishing world.
The emergence of the Authors Alliance is causing consternation among some members of the traditional publishing community, most notably the Authors Guild, which has already issued a sharply-worded critique. But what is the Alliance actually going to do? They’re not really saying.
Are university presses really “under fire,” or are they simply experiencing the natural consequences of doing the wrong things at the wrong time in a marketplace that has evolved away from them?
The best way to increase D2C sales is to work in increasing the traffic to your site. Without traffic, there can be few sales. Unfortunately, the university press community has paid little attention to building Web traffic.
The problem of piracy is not easily solved with legal or even technical initiatives. To make piracy less significant, publishers need to create a different kind of content service, one that is resistant to piracy because of its dynamic nature.
The UK’s National Trust owns 140 libraries containing hundreds of thousands of volumes, many of them in the public domain. What would it take to make those books available to the public that owns them?
University presses cite a number of reasons to sell books directly to end-users. The principal reason is to establish a relationship with the customer. But once that relationship has been initiated, what business purpose does it serve?
This post explores the confusing landscape of ebook readers, presenting a few of the options available along with their pros and cons.
A sense of gloom hangs over academic publishing these days. As library budgets are cut, and the fear of OA mandates cutting profit margins clouds publishers’ sense of their place in the world, what is it like to be a publishing professional in this era of climate change?
Even with the protections of traditional copyright, an author may lose control of his original work and see it misappropriated and used for hateful ends. So is it any wonder that many authors have concerns about being required to publish under CC-BY?
A survey of university presses on selling books directly from their Web sites shows that for most presses, sales hover around 1% of total volume, but a concerted effort to improve Web marketing could increase that figure to 3% or perhaps even more.
Ithaka S+R has just published the latest in its ongoing series of triennial library director surveys, and its findings are interesting and, in some ways, sobering.
There will never be a “Netflix for books” if by that term one means a comprehensive collection. Book aggregations must serve the overarching needs of the publisher to generate revenue and are thus best viewed as simply one channel among many.
As university presses become more involved with D2C marketing, they are going to confront the need for clearly articulated privacy policies. The time to put those policies in place is now.
Interlibrary loan is a complex and difficult issue in the realm of ebooks. A new tool called Occam’s Reader hopes to simplify the process for libraries, provide better service to users, and reassure publishers worried about rights management.