Professional societies often seek partnerships for different reasons. This post summarized the categories of partnerships and helps to identify when a partnership is not really a partnership.
Robert Harington attempts to help you think through how to develop a strategy for succession planning, recognizing that in today’s world, people just don’t stay at their jobs as long as they used to.
After deleting his predatory publishing list, librarian Jeffrey Beall reemerges into the spotlight with a self-published book about art forgeries.
Of the many proposals to lower the cost of college textbooks, the model called “inclusive access” may have the best chance, as it creates incentives for publishers and students alike.
In every publishing organization you need a rebel. Robert Harington talks with Peter Krautzberger, project lead for MathJax and rebel, about his views on Web publishing, ebooks and mathematics.
Some notes on academic publishing, university presses in particular.
What’s the fastest way to get a pile of books into alphabetical order?
The new book by Tom Nichols, “The Death of Expertise,” is not perfect, but it is an important exploration of existential threats to science, education, and representative democracy.
Ohio State University Press’ Tony Sanfilippo weighs in on the role of academic publishers in the current political climate.
This is a report on the monograph output of American university presses. The report had the cooperation of 65 presses, which contributed their historical data to the project. The report shows the output of the presses and provides a more granular analysis by subject area and press size.
Robert Harington takes the reader on a tour of copyright law, suggesting that its value is in supporting our ability to teach and do research, and publish high quality works.
As a follow-up to the chef’s best books read during 2016, I’m happy to present a selection of our favorite university press reads of 2016 (and thanks to one of our commenters for the suggestion!). We tend to think of […]
There’s not a need to re-design the scholarly monograph itself. There’s a need for tools that can better facilitate a connection between author and reader.
What makes Annette Gordon-Reed’s recent NYRB essay such a powerful example of the book review genre?
Dismayed by the loss of trust in facts, and seeming preference for half-truths that appears to be driving our political present, Robert Harington decided to catch up on his reading over the weekend, and stumbled across a stimulating article in Publishers Weekly, entitled How to Sell Nearly a Half-Million Copies of a Poetry Book, by Anisse Gross.