Clayton Christensen’s theory of disruptive innovation is critically examined by Jill Lepore in the New Yorker. If he is wrong, why is the idea of disruption such a compelling one?
The way Netflix unbundled DVD-by-mail and streaming video services, flipped branding strategies, and made it all a public show created a focus on strategic inflection points and betting for the long-term.
Publishers today fall into 3 broad categories when discussing the role of digital media, and these categories almost have the outlines of political parties. But which party is equipped to lead?