Authors are increasingly applying Creative Commons licenses to their content, when publishing it via Open Access. But after deciding to use a CC license, does it matter whether copyright is transferred to the publisher or if it is retained by the author. For some reasons, transfer to the publisher might be the right choice.
It may seem as if it would be difficult to defend or justify a blatant piracy operation like Sci-Hub. But it can be done, if you’re willing to overlook certain facts and advance certain tenuous moral arguments.
Robert Harington takes the reader on a tour of copyright law, suggesting that its value is in supporting our ability to teach and do research, and publish high quality works.
Quantitative analysis of researchers’ use of scholarly networks shows that they are more likely to be used for individual interests than for collaborative purposes.
What should publishers know about researchers and their work? Alice Meadows and Karin Wulf follow up a post earlier this year about “Seven Things Every Researcher Should Know about Scholarly Publishing.”
Is there a role for a curated, remixing approach to developing next generation textbooks. Robert Harington investigates the role of curated open textbooks in teaching today’s students, looking at some of the available tools, the way in which instructors utilize such tools, and issues around fair use of content.
Expectations of free content are entrenched, but artists, authors, and publishers are all hurting because of it. The basic problem? It’s leading to a lack of trust in the future.
After many and long conversations among colleagues within and beyond the Scholarly Kitchen
about what researchers need to know about scholarly publishing, Alice Meadows and Karin Wulf compiled a list of what we think to be the most urgent issues.
Robert Harington comments on a New York Times article by Kate Murphy , published on Sunday 13th March, 2016, suggesting that when journalists write such an article they, do not fan the flames of fundamentalism, recognize the complexity at hand, and understand that there is a constructive debate to be had.
The New York Public Library has now opened up hundreds of thousands of their digitized public-domain documents to unrestricted access and reuse, encouraging members the general public to exercise all the rights in those documents that the law gives them. Why aren’t more academic libraries doing the same thing?
Google wins in court (again) as the Second Circuit of Appeals rules that its mass book digitization program qualifies as fair use. But Google is a commercial entity! And their files might get hacked! And their library partners are even more susceptible to copyright pirates than Google is! Yes, said the court, but. . .
The photographer who got picked on by Wikimedia over his photo of a Back Crested Macaque, resulting in a claim of public domain for the image, has now been sued by PETA who claim that the monkey should hold the copyright and that he should pay damages. You couldn’t make it up.
Is access to the research paper really the same thing as access to the research results themselves? Are funding agencies creating a false equivalency by confusing the two? And does this confusion favor researchers in some fields over others? Revisiting a 2013 post to re-examine these questions.
Home movies from an unlikely source.
Guest Chef Bryn Geffert (Librarian of the College at Amherst College) tries to envision a world in which publishers can spend less time and money wrestling with copyright issues and scholars can more effectively share their work.