It is time for OA proponents to engage in public debate with academic associations, universities and national funding agencies, because the widespread use of academic content in AI models poses significant risks for the research ecosystem.
The current uproar over artificial intelligence does not show us what the future of AI will look like, but rather how a human population falls into predictable patterns as it contemplates any new development: we are observing not AI but ourselves observing AI.
Inconsistency in location/format of usage rights information and CC badges across formats and platforms makes it challenging to discover if/how articles can be reused. @lisalibrarian
GitHub and Microsoft are being sued for using open source software without creator attribution in alleged violation of open licensing requirements. What implications does this have for the scholarly literature and Creative Commons licenses?
In this article, Robert Harington revisits the history of copyright, steering into Creative Commons Licensing, and weighs the value of protection and reuse in light of an inexorable push towards global openness.
Consolidation and concentration are inherent properties of media in a networked environment.
Franklin Foer’s new book is a bracing account of the current information economy, the monopolies and motivations at its heart, and the weakening of democratized knowledge.
At the recent PSP conference there was a panel on the cost of complying with the many new open access mandates from funding bodies. The panel explored the cost of compliance and how to reduce those costs. The current regulatory regime is complicated and administratively expensive, but the mandates will continue to be promulgated because the people calling for them are not the ones that have to implement them.
Even open access advocates should support the commercialization of materials that are OA, as such commercialization can lead to enhanced discovery of scientific materials.
A recent non-controversy once again shows how much confusion exists around what exactly Creative Commons licenses actually mean.
The Academic Publishing in Europe (APE) meeting in Europe is 10 years old, but feels as fresh and frisky as some of the meetings in the US used to. This report touches on some of the most interesting threads of two days’ worth of interesting presentations and conversations.
Flickr users were enraged when the company tried to reuse their CC BY licensed photographs by selling prints. This once again points out the confusion that content creators have regarding copyright and what the various CC licenses really mean.
Axiomatically more complicated than copyright, built to provide no legal cover, and possibly put in place by the technocrats in Silicon Valley, does Creative Commons make sense for the creative class?
Publishers are always said to be slow-moving, but the pace of development at the CHORUS organization belies that.
What is the role of the Copyright Clearance Center in a digital age?