Emily Farrell from MIT Press discusses how collective open book models offer a chance to help many stakeholders across academic publishing share expertise to make processes easier, costs lower, and access to knowledge more collaborative.
A pilot program that seeks to deepen transnational dialogue and collaboration among mission-driven scholarly publishers.
How can not-for-profit organizations outcompete their commercial rivals? Revisiting Joe Esposito’s 2011 post that lays out a blueprint for success.
University presses are deeply committed to scholarship that shines a critical light on racist systems and histories, and to scholarly projects that seek to decolonize and make more equitable our human stores of knowledge. Do we practice what we publish?
Robert Harington argues that funders, be they national, or private, should consider directly funding their field through funding societies and institutions, with a focus on equitable distribution of funds across scholarly communities.
In periods of disruption, commercial publishers have traditionally found opportunities to make capital investments that ultimately strengthen their relative position in the market — opportunities that are not necessarily available to their not-for-profit counterparts. With this in mind, we offer up the beginnings of an analysis of the state of not-for-profit publishing today.
Peer Review Week 2020 continues with a guest post by Dawn Durante of the University of Texas Press, looking at trust in peer review from the perspective of economics.
What have academic book publishers been for? And what might they be for, in the future? Part 2
What have academic book publishers been for? And what might they be for, in the future?
Stephanie Lovegrove Hansen discusses a new Silverchair report on how publishers are leveraging technology partnerships to adapt to the pandemic crisis.
A fascinating conversation among important authors about racism, history, and our current moment.
Amber Dilabbio discusses the University of Toronto Press’ experience with virtual attendance at a publishing meeting.
Tony Sanfilippo looks at the historical books of Dard Hunter and the future of printed works in an increasingly digital and consolidated world.
100 out of print books are now Open Access, the first of 200 in a project from JHU Press on the MUSE Open platform. What are the goals of this project and the lessons learned thusfar?
Karin Wulf and Rick Anderson discuss some implications of a recent research report on the future of the scholarly monograph.