NFTs are the next phase in the ongoing tension between forces supporting subscriptions and those supporting ownership of content
Journalists are increasingly flagging unsupported claims and blatant falsehoods–it’s time for preprint platforms to do the same.
An overview of Vox, a news site designed around current technology and information trends offers a fresh set of design choices worth considering.
The New York Times’ “Innovation” Report will hit a lot of nerves when it comes to strategy, long-term transformation, investment, digital operations, silos, print legacy, and organizational culture. And it will remind you how barely contained panic looks to others.
Online advertising fails to match print advertising in its scalability, slowing the transition to online for major journals and capping the potential for online subscription prices to be offset in a manner similar to print’s legacy business.
While the recording industry generally gets a bad rap for managing the transition to online distribution, there is one niche that has flipped the model and uses old distribution techniques to sell music across multiple formats. That niche is indie rock and there are some lessons for publishers.
The mental models associated with print are still defining how we work and design. Why has this persisted?
New publishers today are all Born Digital in their outlook, eschewing print strategies as expensive and difficult to break into.
Publishers today fall into 3 broad categories when discussing the role of digital media, and these categories almost have the outlines of political parties. But which party is equipped to lead?