The Art of the Beall
After deleting his predatory publishing list, librarian Jeffrey Beall reemerges into the spotlight with a self-published book about art forgeries.
After deleting his predatory publishing list, librarian Jeffrey Beall reemerges into the spotlight with a self-published book about art forgeries.
Librarian of Congress Carla Hayden walks us through this year’s entrants into the National Recording Registry.
In the kind of digital community envisioned by Facebook CEO Mark Zuckerberg, information literacy skills ought not to be treated as an afterthought.
Funders have shifted their focus, and are funding, investing in, or launching initiatives that compete with publishers and constrain researchers. What changed?
The new book by Tom Nichols, “The Death of Expertise,” is not perfect, but it is an important exploration of existential threats to science, education, and representative democracy.
An overview of usage trends across libraries and journals indicates that usage is generally stable or up, archives remain of interest, and consumption doesn’t align with authorship or funding.
With recent political upheaval sparking activism among scientists, librarians, and educators, where do publishers fit? What are they doing? What should they do?
A recent UKSG conference explored what researchers need from scholarly communications, and whether the provisions of publishers, libraries and others are keeping up. Once again, the biggest frustration is rooted not in publisher / library services but in institutional structures for recognition.
Information warfare is both tactical and strategic, with much of its success stemming from the weakened economics of the current information economy. Scholarly publishers have experienced this in many ways, from Google Scholar to predatory publishers to pre-print archives — all answers to the calls for “free information” and all revealing tactical and strategic vulnerabilities as accuracy and facts become luxury items in the information war.
Is Greta Van Susteren right in taking universities to task for building “huge libraries” and in characterizing them as “vanity projects” that have been obviated by the growing online availability of books and other scholarly resources? Obviously not — that’s the position of an ignorant philistine. Except…
A look at the National Audiovisual Conservation Center.
Revisiting Joe Esposito’s 2010 post on the role publishers’ brands play in purchasing decisions.
The pendulum for revenues swung from personal subscriptions to institutional subscriptions with the rise of digital options. With growth capped, a new mix of access options is likely to emerge.
A time lapse look at the final stages of re-opening the New York Public Library’s magnificent Rose Reading Room.
Every industry has its dirty little secrets. This month we asked the Chefs what those secrets are in scholarly publishing.