The Year in Review: 2021 in The Scholarly Kitchen
2021 was a year of rapid change in our community. Here, a look at the numbers for The Scholarly Kitchen for the past 365 days.
2021 was a year of rapid change in our community. Here, a look at the numbers for The Scholarly Kitchen for the past 365 days.
Congratulations on making it mostly through the second straight year of March, 2020.
What better way to spend your Friday than a trip to the circus, as performed by one of the 20th century’s greatest artists?
Some Friday Zen as Highlighter markers are made, and a classic trip to the crayon factory is revisited.
This week a series of posts looking back at the lessons learned from SSP Meeting DEI sessions. Today’s post looks at “The Glass Ceiling You Don’t Know About Yet”.
This week a series of posts looking back at the lessons learned from SSP Meeting DEI sessions. Today’s post looks at Dr. Joseph Williams’s keynote, “Fighting Racial Inequity in the Publishing Industry”.
Sarah Ketchley and Lindsey Gervais discuss the value offered by programs in the digital humanities .
Today’s guest post — the second in a series of two — is a conversation between Katy Alexander and Sylvia Hunter about job hunting with a disability in the publishing industry.
Today’s guest post, by Simon Holt and Erin Osborne-Martin, is the first of two looking at the experiences of people with disabilities in scholarly publishing (the second will be published tomorrow).
Brigitte Shull from Cambridge University Press looks at the lessons learned so far from transformative agreements and how they continue to evolve.
Since 1996, the Internet Archive has been capturing the World Wide Web but also doing so much more to preserve our digital world behind the scenes.
The Scholarly Kitchen is seeking a new editor for Diversity, Equity, Inclusion, and Accessibility coverage.
Interview with Leah Hinds, ExecDir of Charleston Hub, reflecting on preparations for holding the Charleston Conference in-person as well as virtual. @chsconf @lisalibrarian
It also can be something of a trap for a well-intentioned academic who wants to write for this audience, as writing for the lay person is often contemptuously dismissed as “popularization.” Woe to the academic who puts an article from The Atlantic or a book from Simon & Schuster into her tenure portfolio! It takes courage. My view is that these brave souls should be called out and celebrated. They are my heroes.
Curation takes on many forms. Here, the remarkable work that went into the restoration of Mark Rothko’s “Black on Maroon” after it was vandalized.